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Horror Film and Psychoanalysis
Freud's Worst Nightmare

$124.00 (C)

Part of Cambridge Studies in Film

Robin Wood, Steven Jay Schneider, Cosimo Urbano, Michael Levine, Andrew Tudor, Malcolm Turvey, Cynthia Freeland, Harvey Roy Greenberg, Jonathan L. Crane, William Paul, Michael Grant, Barbara Creed, Matt Hills, Linda Badley, Stephen Prince, Noël Carroll
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  • Date Published: June 2004
  • availability: Available
  • format: Hardback
  • isbn: 9780521825214

$ 124.00 (C)
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About the Authors
  • This volume finds the proper place of psychoanalytic thought in critical analysis of cinema through a series of essays that debate its legitimacy, utility, and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.

    • Latest research and thinking in the application of psychoanalytic theory to the horror film
    • Brings together scholars from different disciplines within the humanities and social sciences who have often-conflicting views on the subject
    • Sophisticated, yet accessible treatment of horror cinema through the lens of psychoanalysis
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    Reviews & endorsements

    "The essays in Horror Film and Psychoanalysis: Freud's Worst Nightmare are exemplary philosophical and aesthetic discussions, their complex and subtle arguments are both challenging and thought-provoking." Elizabeth Cowie, University of Kent

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    Product details

    • Date Published: June 2004
    • format: Hardback
    • isbn: 9780521825214
    • length: 318 pages
    • dimensions: 229 x 152 x 22 mm
    • weight: 0.64kg
    • availability: Available
  • Table of Contents

    Preface: what lies beneath? Robin Wood
    Introduction: Psychoanalysis in/and/of the horror film Steven Jay Schneider
    Part I. The Question of Horror-Pleasure:
    1. 'What's the matter with Melanie?': reflections on the merits of psychoanalytic approaches to modern horror cinema Cosimo Urbano
    2. A fun night out: horror and other pleasures of the cinema Michael Levine
    3. Excerpt from 'Why Horror? The New Pleasures of a Popular Genre' (with a new afterword by the author) Andrew Tudor
    4. Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film Malcolm Turvey
    Part II. Theorizing the Uncanny:
    5. Explaining the uncanny in The Double Life of Véronique Cynthia Freeland
    6. Manifestations of the literary double in modern horror cinema Steven Jay Schneider
    7. Heimlich maneuvers: on a certain tendency of horror and speculative cinema Harvey Roy Greenberg
    8. 'It was a dark and stormy night …': horror films and the problem of irony Jonathan L. Crane
    Part III. Representing Psychoanalysis:
    9. 'What does Dr. Judd want?': transformation, transference and divided selves in Cat People William Paul
    10. 'Ultimate formlessness': cinema, horror, and the limits of meaning Michael Grant
    11. Freud's worst nightmare: dining with Dr Hannibal Lecter Barbara Creed
    Part IV. New Directions:
    12. Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value Matt Hills
    13. The darker side of genius: the (horror) auteur meets Freud's theory Linda Badley
    14. Violence and psychophysiology in horror cinema Stephen Prince
    Afterword: psychoanalysis and the horror film Noël Carroll.

  • Editor

    Steven Jay Schneider, New York University and Harvard University, Massachusetts

    Contributors

    Robin Wood, Steven Jay Schneider, Cosimo Urbano, Michael Levine, Andrew Tudor, Malcolm Turvey, Cynthia Freeland, Harvey Roy Greenberg, Jonathan L. Crane, William Paul, Michael Grant, Barbara Creed, Matt Hills, Linda Badley, Stephen Prince, Noël Carroll

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