Early Greek Portraiture
Monuments and Histories
$80.00 ( ) USD
- Author: Catherine M. Keesling, Georgetown University, Washington DC
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In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.Read more
- Offers a new explanation for the origins of civic honorific portraits
- Features local histories of the development of Greek portraiture
- Makes the case that the goal of classical portraiture was often to link the individual to heroes or gods
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- Date Published: May 2017
- format: Adobe eBook Reader
- isbn: 9781108216678
- contains: 62 b/w illus. 3 maps
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
Introduction: Why portraits?
Part I. Portraits among Heroes and Gods:
1. From votive statues to honorific portraits
2. Arete, heroism, and divine choice in early Greek portraiture
3. Portraits in Greek sanctuaries
Part II. Documenting Archaic and Classical Greek History:
4. Retrospective portraits as historical documents
5. Early Greek portraits under Roman rule: removal, renewal, reuse, and reinscription
Conclusion: The limits of representation.
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