Romanticism and Theatrical Experience
Kean, Hazlitt and Keats in the Age of Theatrical News
$80.00 ( ) USD
Part of Cambridge Studies in Romanticism
- Author: Jonathan Mulrooney, College of the Holy Cross, Massachusetts
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Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.Read more
- Explores a wealth of previously understudied theatrical criticism to enhance our understanding of Romantic period theatrical culture
- Brings into focus the influence of theatrical culture on literary culture in the Romantic period
- Provides new insight into the cultural figures such as Edmund Kean (actor), William Hazlitt (critic) and John Keats (poet)
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- Date Published: January 2019
- format: Adobe eBook Reader
- isbn: 9781316879986
- contains: 6 b/w illus.
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
Part I. The Making of British Theater Audiences:
1. Theater and the daily news
2. Britain's theatrical press 1800–1830
Part II. Theater and Late Romanticism:
3. Edmund Kean's controversy
4. Hazlitt's romantic occasionalism
5. Keats, Kean, and the poetics of interruption
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