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Shelley's Visual Imagination

$103.00 (C)

Part of Cambridge Studies in Romanticism

  • Date Published: August 2011
  • availability: In stock
  • format: Hardback
  • isbn: 9781107008380

$ 103.00 (C)

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About the Authors
  • Shelley's drafts and notebooks, which have recently been published for the first time, are very revealing about the creative processes behind his poems, and show – through illustrations and doodles – an unexpectedly vivid visual imagination which contributed in a major way to the effect of his poetry. Shelley's Visual Imagination analyzes both verbal script and visual sketches in his manuscripts to interpret the lively personifications of concepts such as 'Liberty', 'Anarchy', or 'Life' in his completed poems. Challenging the persistent assumption that Shelley's poetry in particular and Romantic poetry more generally reject the visual for expressive voice or music, this study combines criticism with a focus upon bibliographic codes and iconic pages. The product of years of study, this much-anticipated book will be of great value for all students of Shelley.

    • Explores for the first time Shelley's creative process as revealed in his recently published notebooks
    • Challenges the dominant view that Romantic poetry scorns visual imagery
    • Offers new insight into the creative processes of Romantic poets
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    Product details

    • Date Published: August 2011
    • format: Hardback
    • isbn: 9781107008380
    • length: 292 pages
    • dimensions: 235 x 158 x 19 mm
    • weight: 0.61kg
    • contains: 9 b/w illus.
    • availability: In stock
  • Table of Contents

    1. Introduction: text and figure
    2. Mab's metamorphoses
    3. 'Hymn to intellectual beauty': visual texts, invisible figure
    4. 'Clear elemental shapes': textual and cultural origins for liberty in the Laon and Cythna notebooks
    5. Anarchy's textual progress: representing liberty
    6. Pursuing revision in Shelley's 'Ode to Liberty'
    7. Dispersoning Emily: drafting as plot in Epipsychidion
    8. 'Compelling/All new successions': death and the poet's figurations in Adonais
    9. The Triumph of Life: figure, history, and inscription.

  • Author

    Nancy Moore Goslee, University of Tennessee
    Nancy Goslee is Professor of English Emerita at the University of Tennessee.

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