Wordsworth and the Poetics of Air
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Part of Cambridge Studies in Romanticism
- Author: Thomas H. Ford, University of Melbourne
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Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed.Read more
- Examines Romantic-era poetry in the context of ecological and environmental studies
- Explores how Wordsworth, in particular, marks a change in the meaning of 'atmosphere'
- Considers how the shifting meanings of 'atmosphere', both scientific and metaphorical, affect our twenty-first-century readings of Romantic poets
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- Date Published: June 2018
- format: Adobe eBook Reader
- isbn: 9781108667395
- contains: 6 b/w illus.
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
1. Atmospheric Romanticism
2. Atmospheric mediation
3. Romantic meteorology
4. Atmospheric aesthetics
5. In the breathing chamber: 'lines written a few miles above'.
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