Other available formats:
Looking for an examination copy?
If you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact firstname.lastname@example.org providing details of the course you are teaching.
Shell Shock, Memory, and the Novel in the Wake of World War I explores the narrative traces, subaltern faces, and commemorative spaces of shell shock in wartime and postwar novels by Mulk Raj Anand, Ford Madox Ford, Mary A. Ward, George Washington Lee, Ernest Hemingway, F. Scott Fitzgerald, and Christopher Isherwood. This book argues that World War I novels serve as an untapped source of information about shell shock, and renews our present understanding of the condition by exploring the nexus of shell shock and practices of commemoration. Shell shock novelists testify to the tenaciousness and complexity of the disorder, write survivors into visibility, and articulate the immediacy of wounds that remain to be seen. This book helps readers understand more fully the extent to which shell shock continues to shape and trouble modern memories of the First World War.Read more
- Focuses on shell shock novels, as opposed to poems and memoirs
- Defamiliarizes canonical World War I novels and recuperates non-canonical World War I novels
- Moves across national borders and academic disciplines
Reviews & endorsements
'… a rich and thought-provoking study that is bursting with ideas and insights.' Rachel Murray, The British Society for Literature and Science
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: September 2015
- format: Hardback
- isbn: 9781107114203
- length: 256 pages
- dimensions: 236 x 159 x 20 mm
- weight: 0.5kg
- contains: 19 b/w illus.
- availability: Available
Table of Contents
1. Faces of battle in Mrs Humphry Ward's wartime writing
2. 'Not yet diagnosed nervous': Ford Madox Ford's Parade's End tetralogy
3. No separate peace: A Farewell to Arms as trauma narrative
4. 'Belated impress': River George and African American shell shock
5. Sepoy shell shock, Mulk Raj Anand, and the Indian World War I novel
6. Traumatic topographies in Tender is the Night
Coda. Queer World War I: Isherwood and shell shock sexualities.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×