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The Cambridge Companion to Haydn

The Cambridge Companion to Haydn

$104.00 (P)

Part of Cambridge Companions to Music

Elaine Sisman, Rebecca Green, James Webster, David Wyn Jones, Scott Burnham, Matthew Head, David Schroeder, Mary Hunter, Michelle Fillion, James Dack, James Webster, Katalin Komlós, Caryl Clark, Tom Beghin, James Garrett, Lawrence Kramer, Melanie Lowe
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  • Date Published: December 2005
  • availability: Available
  • format: Hardback
  • isbn: 9780521833479

$ 104.00 (P)

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About the Authors
  • This accessible introduction to the musical work and cultural world of Joseph Haydn covers his contemporaries, working environments and aesthetics. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, recorded performances and revivals of his operas. The book surveys his major performance genre--including symphonies, string quartets, keyboard sonatas and trios, liturgical music, oratorios, etc...

    • Provides contextual readings of Haydn's works from a wide range of genres, by internationally renowned scholars
    • Brings Haydn research into a new musicological era
    • Will appeal to a broad readership - students, specialists and music lovers alike
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    Reviews & endorsements

    "There is plenty in this book to engage and challenge…" - Gramophone

    “Coverage of genres is balanced, with chapters on symphonies and concertos, quartets, keyboard sonatas and trios, oratories, songs, and operas. The book concludes with endnotes and extensive bibliographic references.” --Choice

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    Product details

    • Date Published: December 2005
    • format: Hardback
    • isbn: 9780521833479
    • length: 338 pages
    • dimensions: 255 x 180 x 22 mm
    • weight: 0.746kg
    • contains: 2 b/w illus. 1 map 5 tables 38 music examples
    • availability: Available
  • Table of Contents

    Part I. Haydn in Context:
    1. Haydn's career and the idea of the multiple audience Elaine Sisman
    2. A letter from the wilderness: revisiting Haydn's Esterházy environments Rebecca Green
    3. Haydn's aesthetics James Webster
    4. First among equals: Haydn and his fellow composers David Wyn Jones
    Part II. Stylistic and Interpretive Contexts:
    5. Haydn and humour Scott Burnham
    6. Haydn's exoticisms: 'difference' and the Enlightenment Matthew Head
    Part III. Genres:
    7. Orchestral music: symphonies and concertos David Schroeder
    8. The quartets Mary Hunter
    9. Intimate expression for a widening public: the keyboard sonatas and trios Michelle Fillion
    10. Sacred music James Dack
    11. The sublime and the pastoral in The Creation and The Seasons James Webster
    12. Miscellaneous vocal genres Katalin Komlós
    13. Haydn in the theatre: the operas Caryl Clark
    Part IV. Performance and Reception:
    14. A composer, his dedicatee, her instrument, and I: thoughts on performing Haydn's keyboard sonatas Tom Beghin
    15. Haydn and posterity: the long nineteenth century James Garrett
    16. The kitten and the tiger: Tovey's Haydn Lawrence Kramer
    17. Recorded performances: a symphonic study Melanie Lowe.

  • Editor

    Caryl Clark, University of Toronto
    Caryl Clark is Associate Professor of Music at the University of Toronto and Visual and Performing Arts at University of Toronto at Scarborough. Her publications about Haydn's operas appear in The New Grove Dictionary of Opera, Studies in Music, Current Musicology, The Haydn Yearbook, and Early Music. She is co-editor of three special opera issues of The University of Opera Quarterly: Voices of Opera (1998); Opera and Interdisciplinarity (2003); and Opera and Interdisciplinarity II (2005).


    Elaine Sisman, Rebecca Green, James Webster, David Wyn Jones, Scott Burnham, Matthew Head, David Schroeder, Mary Hunter, Michelle Fillion, James Dack, James Webster, Katalin Komlós, Caryl Clark, Tom Beghin, James Garrett, Lawrence Kramer, Melanie Lowe

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