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Look Inside The Keyboard in Baroque Europe

The Keyboard in Baroque Europe

$47.99 (C)

Part of Musical Performance and Reception

Alexander Silbiger, Rudolf Rasch, Pieter Dirksen, Christopher Hogwood, John Butt, Davitt Moroney, Christoph Wolff, Peter Williams, David Schulenberg, Peter Wollny, Menno van Delft, Robert D. Levin, Lars Ulrik Mortensen
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  • Date Published: March 2009
  • availability: Available
  • format: Paperback
  • isbn: 9780521102612

$ 47.99 (C)
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About the Authors
  • Twelve of today's most distinguished scholar-performers present essays on Baroque keyboard music. Topics include the place of the keyboard in concerted music, comparative teaching methods, studies of the repertoire of J.S. Bach and his sons, and writing in the later eighteenth century (including Mozart) and on matters of repertoire and performance practice. The volume concludes with a new arrangement for keyboard of Bach's D minor Violin Partita, published here for the first time.

    • Devised as a tribute to the great keyboard player Gustav Leonhardt
    • Covers a wide range of topics from Purcell to Mozart
    • Essays written by internationally famous performer-scholars
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    Reviews & endorsements

    Review of the hardback: 'The very experienced writers know how to relate particular issues to broader contexts, so there is much for the enthusiast, and several of the articles will henceforth be standards on my reading lists.' The British Clavichord Society

    Review of the hardback: 'May this collection encourage by example and stimulate further generations of Leonhardt's under-gardeners to labour for their art.' The Consort

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    Product details

    • Date Published: March 2009
    • format: Paperback
    • isbn: 9780521102612
    • length: 264 pages
    • dimensions: 246 x 189 x 14 mm
    • weight: 0.48kg
    • contains: 9 b/w illus. 44 music examples
    • availability: Available
  • Table of Contents

    Part I. Seventeenth-Century Keyboard Music:
    1. On Frescobaldi's recreation of the Chaconne and the Passacaglia Alexander Silbiger
    2. Hanß Jacob Froberger's travels 1649–1653 Rudolf Rasch
    3. New perspectives on Lynar A 1 Pieter Dirksen
    4. Creating the corpus: the 'Complete Keyboard Music' of Henry Purcell Christopher Hogwood
    Part II. The Early Eighteenth Century:
    5. Towards a genealogy of the keyboard concerto John Butt
    6. Couperin, Marpurg and Roeser: A Germanic Art de Toucher le Clavecin, or a French Wahre Art? Davitt Moroney
    Part III. The Bach Family:
    7. Invention, composition and the improvement of nature: apropos Bach the teacher and practical philosopher Christoph Wolff
    8. Is there an anxiety of influence discernible in J. S. Bach's Clavierübung I? Peter Williams
    9. 'Toward the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach David Schulenberg
    10 '… welche dem größten Concerte gleichen': the polonaises of Wilhelm Friedemann Bach Peter Wollny
    Part IV. The Later Eighteenth Century:
    11. Schnellen: a quintessential articulation technique in eighteenth-century keyboard playing Menno van Delft
    12. Mozart's non-metrical keyboard preludes Robert D. Levin
    Part V. Musical envoi:
    13. J. S. Bach: Keyboard Partita in A Minor after BWV 1004 Lars Ulrik Mortensen.

  • Editor

    Christopher Hogwood
    Christopher Hogwood is an internationally renowned conductor and founder of the Academy of Ancient Music, with whom he has made more than 200 recordings, including the first complete Mozart symphonies on period instruments.

    Contributors

    Alexander Silbiger, Rudolf Rasch, Pieter Dirksen, Christopher Hogwood, John Butt, Davitt Moroney, Christoph Wolff, Peter Williams, David Schulenberg, Peter Wollny, Menno van Delft, Robert D. Levin, Lars Ulrik Mortensen

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