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Look Inside The Organ in Western Culture, 750–1250

The Organ in Western Culture, 750–1250

$84.99 (C)

Part of Cambridge Studies in Medieval and Renaissance Music

  • Date Published: June 2005
  • availability: Available
  • format: Paperback
  • isbn: 9780521617079

$ 84.99 (C)
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About the Authors
  • How did the organ become a church instrument? How did it develop from an outdoor, Mediterranean noisemaker to an instrument which has become the embodiment of Western music and responsible for many of that music's characteristics? In this fascinating investigation, Peter Williams speculates on these questions and suggests some likely answers. He considers where the organ was placed and why; what the instrument was like in 800, 1000, 1200 and 1400; what music was played, and how. He re-examines the known references before 1300, covering such areas as the history of technology, music theory, art history, architecture, and church and political history. Central to the story he uncovers is the liveliness of European monasticism around 1000 AD and the ability and imagination of the Benedictine reformers. Professor Williams's approach is new in both tactics and strategy, giving an interdisciplinary idea of musical development relevant to those both in and out of music.

    • Written by the author of our best-selling titles The Organ Music of J. S. Bach
    • A fascinating investigation of the reasons why the organ became a church instrument
    • An interdisciplinary study with appeal to a wide group of readers and performers
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    Product details

    • Date Published: June 2005
    • format: Paperback
    • isbn: 9780521617079
    • length: 416 pages
    • dimensions: 246 x 189 x 22 mm
    • weight: 0.74kg
    • contains: 22 b/w illus. 9 music examples
    • availability: Available
  • Table of Contents

    List of illustrations
    Preface
    Acknowledgements
    Maps
    1. Organs, music and architecture
    2. Organs and documentation
    3. Organs and written technology
    List of references
    Index of places
    Index of names.

  • Author

    Peter Williams, University of Wales College of Cardiff
    Peter Williams (1937–2016) held the first Chair in Performance Practice in Britain at the University of Edinburgh, where he was first Director of the Russell Collection of Harpsichords and latterly Dean of Music. He was also the first Arts and Sciences Distinguished Chair at Duke University, North Carolina. He authored many books, including The European Organ (1966), Bach: The Goldberg Variations (Cambridge, 2001), Figured Bass Accompaniment (1970), The Chromatic Fourth during Four Centuries of Music (1998) and The Organ Music of J. S. Bach (Cambridge, 2003).

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