Skip to content
Register Sign in Wishlist
Early Music History

Early Music History
Studies in Medieval and Early Modern Music

Volume 2


Part of Early Music History

Dimitri Conomos, Peter Le Huray, Harold S. Powers, William F. Prizer, Edward H. Roesner, Ian Rumbold, Peter Wright, Peter M. Lefferts, Margaret Bent
View all contributors
  • Date Published: March 2009
  • availability: Available
  • format: Paperback
  • isbn: 9780521104296

£ 27.99

Add to cart Add to wishlist

Looking for an inspection copy?

This title is not currently available on inspection

Product filter button
About the Authors
  • Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume two include: The Chirk Castle partbooks; Isabella d'Este and Lorenzo da Pavi, 'master instrument maker'; and Johannes de Garlandia on organum in speciali.

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity


    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?


    Product details

    • Date Published: March 2009
    • format: Paperback
    • isbn: 9780521104296
    • length: 416 pages
    • dimensions: 229 x 24 x 152 mm
    • weight: 0.61kg
    • availability: Available
  • Table of Contents

    1. Experimental polyphony, 'according to the…Latins', in late Byzantine psalmody Dimitri Conomos
    2. The Chirk Castle partbooks Peter Le Huray
    3. Modal representation in polyphonic offertories Harold S. Powers
    4. Isabella d'Este and Lorenzo da Pavia, 'master instrument-maker' William F. Prizer
    5. Johannes de Garlandia on organum in speciali Edward H. Roesner
    6. The compilation and ownership of the 'St Emmeram' codex Ian Rumbold
    7. The compilation of Trent 87 and 92 Peter Wright
    8. New sources of English thirteenth- and fourteenth-century polyphony Peter M. Lefferts and Margaret Bent

  • Editor

    Iain Fenlon


    Dimitri Conomos, Peter Le Huray, Harold S. Powers, William F. Prizer, Edward H. Roesner, Ian Rumbold, Peter Wright, Peter M. Lefferts, Margaret Bent

Sign In

Please sign in to access your account


Not already registered? Create an account now. ×

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner Please see the permission section of the catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.


Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

Please fill in the required fields in your feedback submission.