Skip to content
Register Sign in Wishlist
Look Inside Women and Embodied Mythmaking in Irish Theatre

Women and Embodied Mythmaking in Irish Theatre

£75.00

  • Publication planned for: August 2019
  • availability: Not yet published - available from August 2019
  • format: Hardback
  • isbn: 9781108485333

£ 75.00
Hardback

Pre-order Add to wishlist

Looking for an inspection copy?

This title is not currently available on inspection

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality.

    • Presents a tradition of women in Irish theatre that spans the twentieth and twenty-first centuries
    • Proposes a genealogy of women's performance by tracing the connections, resonances, and divergences in their mythmaking
    • Critically analyses works that have received little scholarly attention, introducing readers to a wealth of new material and drawing on extensive original and archival research
    Read more

    Reviews & endorsements

    'Women and Embodied Mythmaking in Irish Theatre is an accessible and timely feminist intervention into canonical, patriarchal myth-making on the twenty and twenty-first century Irish stages. Turning her feminist gaze on Irish theatre, Hill persuasively argues that is not enough merely to uncover the histories of missing or marginalised women theatre makers and to reposition these within the canonical, patriarchal set-up. Her innovative, critical manoeuvre is to offer a genealogical framework that disavows a conventional, chronological method; what readers of her study will discover is a retelling of the Irish stage through a non-linear approach that forges links between different sites, modes, or moments of women's resistant theatre-making. This is a narrative in which the leading protagonists are not the patriarchally agreed canonical suspects, but the unruly bodies of those theatre women who contest and rebel against the limiting myths of femininity.' Elaine Aston, Lancaster University

    'Hill weaves women's re-workings of myth into the story of the Irish nation and … creates a new, malleable mythology of her own. With fascinating … analysis of both canonical and lesser-known women's theatre art, this book creates a genealogy of Irish theatre in which nothing rests ossified in time and place. Hill's case studies return to speak to each other throughout – fulfilling her promise to embody a feminist genealogy and, further, reminding the reader of the exciting potentials for restaging and reimagining these productions. In the aftermath of #WakingtheFeminists and the referendum to repeal the eighth amendment, and amid continued social movements to redress almost a century of institutionalised Irish misogyny, Hill's work moves the conversation about women's contributions to theatre and to nation forward: from decrying absence to insisting on presence, both in our relationship to history and in the contemporary moment.​' Emer O'Toole, Concordia University, Montreal

    See more reviews

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Publication planned for: August 2019
    • format: Hardback
    • isbn: 9781108485333
    • dimensions: 234 x 159 x 17 mm
    • weight: 0.56kg
    • availability: Not yet published - available from August 2019
  • Table of Contents

    Introduction: a creative female corporeality
    1. Revolutionary bodies: mythmaking and Irish feminisms
    2. Unhomely bodies: transforming space
    3. Process and resistance: metamorphic 'bodies that matter'
    4. Staging female death: sacrificial and dying bodies
    5. Haunted bodies and violent pasts
    6. Olwen Fouéré's Corpus: the performer's body and her body of work.

  • Author

    Shonagh Hill, University College Dublin
    Shonagh Hill teaches at University College Dublin. She was awarded an Irish Research Council Postdoctoral Fellowship 2016–17 (University College Dublin) to develop her monograph Women and Embodied Mythmaking in Irish Theatre. Hill has published articles on women and Irish theatre in a range of leading journals and internationally reviewed books. Most recently, 'Feeling Out of Place: The 'affective dissonance' of the feminist spectator in The Boys of Foley Street' was published in Performance, Feminism and Affect in Neoliberal Times (2017).

Sign In

Please sign in to access your account

Cancel

Not already registered? Create an account now. ×

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×