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Poetry, Media, and the Material Body
Autopoetics in Nineteenth-Century Britain


Part of Cambridge Studies in Nineteenth-Century Literature and Culture

  • Date Published: August 2018
  • availability: Available
  • format: Hardback
  • isbn: 9781108418966

£ 75.00

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About the Authors
  • From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolutions, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception.

    • Provides an articulate exploration of the tradition in nineteenth-century that identifies the human body as a material medium for poetry
    • Combines an exploration of media theory, theories of physiology and literary theory to further understanding of written forms of creativity that appear independent of the author's will
    • Includes close readings of the works of nineteenth-century poets including William Wordsworth (1770–1850), Samuel Taylor Coleridge (1772–1834) and Alfred Lord Tennyson (1809–92)
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    Product details

    • Date Published: August 2018
    • format: Hardback
    • isbn: 9781108418966
    • length: 210 pages
    • dimensions: 235 x 157 x 15 mm
    • weight: 0.49kg
    • availability: Available
  • Table of Contents

    Introduction: the material muse in nineteenth-century poetry
    1. Striking passages: vision, memory, and the romantic imprint
    2. Internal impressions: self-sympathy and the poetry of sensation
    3. Listening with the mouth: Tennyson's deaths of Arthur
    4. Poetic afterlives: automatic writing and the mechanics of quotation
    Conclusion: the autonomous poem: new criticism and the stock response

  • Author

    Ashley Miller, Albion College, Michigan
    Ashley Miller is Assistant Professor of English at Albion College, Michigan. Her work on a wide variety of topics in Romantic and Victorian literary studies has appeared in Victorian Literature and Culture, Studies in Romanticism, Nineteenth-Century Contexts, Literature Compass, and Nineteenth-Century Gender Studies.

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