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Ulysses, Film and Visual Culture

Ulysses, Film and Visual Culture

$84.00 USD

  • Date Published: August 2018
  • availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
  • format: Adobe eBook Reader
  • isbn: 9781108620291

$ 84.00 USD
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About the Authors
  • Although Joyce was losing his sight when he wrote Ulysses, Stephen's and Bloom's visual experiences are extraordinarily rich and complex. Absorbing the influences of popular visual attractions such as dioramas, stereoscopes and mutoscopes, their perceptions of Dublin are shaped by what Walter Benjamin calls 'unconscious optics'. Analyzing closely the texture of their impressions and of Joyce's prismatic narrative styles, Philip Sicker explores the phenomenon of sight from a wide-ranging set of perspectives: eighteenth-century epistemology (Locke and Berkeley), theories of the flaneur (Baudelaire and Benjamin), Italian Futurist art (Marinetti and Boccioni), photography (Barthes and Sontag), and the silent films Joyce watched in Dublin and Trieste. The concept of 'spectacle' as a mechanically-constructed visual experience informs Sicker's examination of mediated perception and emerges as a hallmark of modernist culture itself. This study is an important contribution to the growing interest in how deeply the philosophy and science of visual perception influenced modernism.

    • Presents a new reading of Ulysses through visual culture
    • Traces the influence of specific films that Joyce saw and drew upon
    • Analyzes modern urban experience through Joyce's version of the flaneur
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    Reviews & endorsements

    'Sicker's book … brings Ulysses alive by examining its particularities and specificities. … His book demonstrates that there is still much fertile and enriching ground to be tilled and planted in our examination of one of the central books of Western literature.' Peter O'Brien, The Fortnightly Review

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    Product details

    • Date Published: August 2018
    • format: Adobe eBook Reader
    • isbn: 9781108620291
    • contains: 7 b/w illus.
    • availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
  • Table of Contents

    Introduction: Joyce's spectacles: technologies of sight
    1. Ineluctable visuality: Stephen's ways of seeing
    2. 'Caught in this burning scene': Stephen in the gaze of others
    3. Snapshots from the pavement: Bloom as modernist flaneur
    4. Painting motion: 'wandering rocks' as futurist narrative
    5. 'Alone in the hiding twilight': Bloom's cinematic gaze in 'Nausicaa'
    6. Mirages in the lampglow: 'circle' and Melies's dream cinema
    7. Vision conjoined: Stephen and Bloom's intersubjective perception.

  • Author

    Philip Sicker, Fordham University, New York
    Philip Sicker is Professor of English at Fordham University, New York, and co-editor of Joyce Studies Annual. He has published widely on James Joyce, Henry James, D. H. Lawrence, T. S. Eliot, Thomas Mann, Vladimir Nabokov, narrative theory and film.

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